該頁(yè)無(wú)縮略圖
99
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1394
A RED JAPANNED BUREAU BOOKCASE
IN GEORGE I STYLE, 18TH CENTURY
AND LATER
decorated with chinoiserie with Chinese
figures, pavilions, birds and flowers with a pair
of mirror doors enclosing a well fitted interior
of pigeonholes, drawers and faux book secret
compartments, above a hinged fall with a
conforming interior and four long drawers
224.5cm high, 97cm wide, 53.7cm deep
￡4,000-6,000
1395
A LATE VICTORIAN SATINWOOD FOLDING
STAND TABLE
LATE 19TH CENTURY
with two tiers inlaid with stringing, with
mahogany crossbanding and with brass edging
73cm high, 48.5cm wide, 42cm deep
￡200-300
1396
A PAINTED SATINWOOD BUREAU
IN SHERATON STYLE, 18TH CENTURY
AND LATER
decorated with ribbon tied swags and portrait
medallions, the hinged fall with Venus and
Cupid enclosing an interior of pigeonholes,
drawers and a sliding well cover
91cm high, 78.5cm wide, 51.3cm deep
￡300-400
1394
1395
1396
open
1397
A SILK NEEDLEWORK PICTURE
EARLY 20TH CENTURY
titled ‘Gilbraltar Present’ above various flags
including the Union Jack, the Stars and Stripes,
the Red Ensign and the Tricolor, above a panel
worked with an airship and a hot air balloon, in a
painted and gilt frame
50 x 40.3cm
￡100-150
1397
1398 1399
1400
1402 100
1401
1398
AN ENGRAVED MAP OF HAMPSHIRE
AFTER CHRISTOPHER SAXTON, LATE 16TH /
EARLY 17TH CENTURY
inscribed ‘Southamptoniae Comitatus preter
Insulas Vectis Jersey et Garnsey....’ to a cartouche
upper left and ‘Southamtoniae Comitatus preter
Cunitatem Wincestriam...’ lower right, and
‘Christophorus Saxton descripsit’ to the Isle of
Wight, with some hand colouring
39.8 x 43.8cm
￡200-300
1399
TWO GEORGE III SILKWORK PICTURES
LATE 18TH / EARLY 19TH CENTURY
each worked in colours with a spray of flowers,
one inscribed ‘Lucy Ralton. 5th, Year of her Age’,
the other ‘Maria Ralton. 4th, Year of her Age’ (2)
22.8 x 17.5cm (max)
￡100-150
1400
THREE COLOURED ENGRAVINGS
AFTER HOGARTH, MID / LATE 18TH
CENTURY
titled ‘Gin Lane’, ‘Beer Street’ and ‘A Midnight
Modern Conversation’, together with a coloured
stipple engraving of a gentleman resting on a
plinth, an engraved view titled ‘A North East
Perspective of the (Belfrey) Cathedral Church and
Close of Sarum, 1759’, a coloured equestrian
engraving titled ‘Le Chasseur au Tirer’, and three
satirical engravings after Rowlandson and others (9)
51.5 x 62cm (max)
￡100-200
1401
A LARGE REGENCY NEEDLEWORK PICTURE
C.1820-30
worked in coloured silks and depicting a large
group of young ladies involved in a variety of
pastimes including skipping, hula hoop and
possibly an early version of badminton,
surrounded by fruit and pine trees, in the garden
of a three storey country house, possibly a
finishing school, in a modern glazed frame
47.7 x 64.7cm
￡400-600
1402
‘A STORM IN HARVEST’ - A LARGE COLOURED STIPPLE ENGRAVING
BY R.M. MEADOWS AFTER RICHARD WESTALL (1765 - 1836), EARLY 19TH CENTURY
in a glazed giltwood and gesso frame
53.5 x 71.5cm
￡100-150
1403
A TOPOGRAPHICAL MAP OF WILTSHIRE
AFTER JOHN ANDREWS AND ANDREW
DURY, DUKE’S COURT, ST MARTINS
LANE, LONDON, C.1773
taken from an Actual Survey, on eighteen
sheets (complete) to a scale of 2 inches to a
mile, with some outline colouring, preceded
by the ‘Index Map to the large one’, rebound
in half leather over marbled boards with a gilt
title to the spine
￡400-600
1404
A SET OF SIX PRINTS FROM THE
PROCESSION AT THE CORONATION OF
GEORGE IV
BY JOHN WHITTAKER, AFTER JAMES
AND FRANCIS STEPHANOF, C.1823
to include two detailing the Order of the
Procession with gilt cartouches beneath large
Prince of Wales feathers and above a line of
figures, two with two lines of figures and two
further with a single line of figures, most
giving details of the figures in pen verso, in
glazed frames (6)
64 x 52.2cm (max)
Provenance
The Charrington Family Collection, Winchfield
House, Hampshire.
￡200-300
1405
A PORTRAIT OF A MAN
OIL ON PANEL, 19TH CENTURY
wearing a black jacket over a white shirt, oval,
inscription verso, in a gilt frame
30.5 x 26.5cm
￡100-150
1406
A PAIR OF PLAYING CARD MAPS
AFTER WILLIAM REDMAYNE, EARLY
18TH CENTURY
of Wiltshire (two of diamonds) and
Somersetshire (three of diamonds), the
uncoloured maps with English text above and
below, mounted in one frame
each 9 x 5.4cm
￡200-300
1407
A COLOURED EQUESTRIAN PORTRAIT
ENGRAVING
LATE 17TH CENTURY
possibly King Charles XI of Sweden, together
with a pair of mezzotint portraits, after
Kneller, of Joseph Addison and Arthur
Maynwaring, and a coloured engraved bird’s
eye view, after J Kyp, of Easington (4)
56.3 x 45.2cm (max)
￡100-200
1404
1405
1406
101
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1407
1403
1408
1409
1410
1411
1412
1408
A CAUCASIAN DESIGN RUG
TURKEY, C.1910
the brick red field with four panels of
hooked devices, enclosed by ivory and
polychrome borders, flanked by apple
green and brick red guard stripes,
together with a Kayseri prayer rug,
Khorasan rug and a modern Turkish rug
of Kazak design (4)
243 x 134cm (max)
Provenance
From a Private Collection. ￡300-500
1409
AN ISFAHAN RUG
CENTRAL PERSIA, C.1920
the brick red field with a central indigo
and ivory panel depicting a Persian
monarch beneath a bird of prey and a
lion devouring an antelope, enclosed by
upper spandrels of trees and birds, flanked by floral guard stripes
216 x 140cm ￡100-200
1410
A TABRIZ CARPET
NORTH WEST PERSIA, C.1950
the ivory field of large palmettes and
vines centred by a cusped brick red
medallion enclosed by indigo borders
with further palmettes and vines flanked by ice blue guard stripes
385 x 282cm ￡200-300
1411
A DOBAG RUG
TURKEY, C.1980
the forest green field centred by a pale
terracotta latch hook lozenge
medallion, framed by multiple borders,
together with a Kazak rug (2)
212 x 143cm (max) ￡200-300
1412
A KARABAGH RUG
SOUTH CAUCASUS, C.1910
the lattice field of polychrome stellar
devices, enclosed by leaf and calyx
borders, flanked by meandering guard
stripes
230 x 109cm
Provenance
From a Private Collection. ￡250-350
102
103
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1413
1415
1416
1414
1414
A VICTORIAN WALNUT LIBRARY LADDER
LATE 19TH CENTURY
with baize lined treads
183cm high, 43.8cm wide, 109.5cm deep (open)
Provenance
Hurstbourne Park, Whitchurch, Hampshire.
￡150-250
1415
A PAIR OF EARLY VICTORIAN OAK AND LEATHER
UPHOLSTERED LIBRARY CHAIRS
MID-19TH CENTURY
with scroll arms, reeded front legs and buttoned upholstery with
brass stud detail (2)
￡800-1,200
1416
A FRENCH BERGERE SOFA
LATE 19TH CENTURY
the foliate carved oak frame with a caned back, double caned arms
and a later linen upholstered loose cushion
105.5cm high, 167cm wide, 69cm deep
￡500-800
1413
A LATE VICTORIAN MAHOGANY OVAL
PARTNER’S PEDESTAL DESK
IN GEORGE III STYLE, LATE 19TH /
EARLY 20TH CENTURY
the top inset with a tooled leather writing surface
above six frieze drawers and cupboards, one fitted
with further drawers, on castors
77.5cm high, 151cm wide, 113cm deep
￡800-1,200
1417
1419
1420
104
1418
1421
1417
A VICTORIAN WALNUT LOW OPEN BOOKCASE
C.1860-70
with gilt brass mounts and adjustable shelves
86.7cm high, 198.2cm wide, 23.5cm deep
￡300-400
1418
A VICTORIAN MAHOGANY TWIN PEDESTAL DESK
C.1860
the top inset with a gilt tooled green leather writing
surface above an arrangement of nine drawers on
castors
75.2cm high, 121cm wide, 74.5cm deep
￡300-400
1419
A VICTORIAN WALNUT VITRINE
C.1860-70
of serpentine outline, with two glass shelves, on castors
104.3cm high, 48cm wide
￡300-500
1420
A PAIR OF GILTWOOD ARMCHAIRS
AFTER A GILLOWS GEORGE III DESIGN,
LATE 19TH CENTURY
each with a shield shaped back carved with ribbons,
harebells and palmettes, above a serpentine front
seat (2)
￡200-300
1421
A PAIR OF MAHOGANY STOOLS IN GEORGE II
STYLE
POSSIBLY IRISH, 19TH CENTURY
each with a floral needlework seat on acanthus
carved legs and claw and ball feet (2)
44.5cm high, 60.5 wide, 46cm deep
Provenance
The Groves of Castle Grove, Donegal.
By descent to Commander Peter Campbell,
and thence by descent to the present owner.
￡150-250
1422
A VICTORIAN MAHOGANY SECRETAIRE CAMPAIGN CHEST
LATE 19TH CENTURY
in two sections, with three short drawers, the central secretaire fitted with
bird’s eye maple drawers and pigeonholes and a leather writing surface above
three long drawers, with sunken brass military style handles
106.2cm high, 99cm wide, 45.4cm deep
￡1,500-2,000
105
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~1422
1424
1424
AN EARLY VICTORIAN OCCASIONAL TABLE
C.1840-50
the circular fixed top decorated with geometric oyster
veneers on a faceted stem
71.7cm high, 57.7cm diameter
￡200-300
1425
No lot
1423
1423
A MAHOGANY WING ARMCHAIR
IN GEORGE II STYLE, LATE 19TH CENTURY
with scroll arms on leaf carved front legs and claw and ball feet
￡300-500
top
1426
1427
1428
1430
1426
AN ANATOLIAN PRAYER RUG
C.1900
the deep aubergine field of geometric motifs
beneath an arrowhead Mihrab, flanked by
upper spandrels and stellar motif borders,
together with a 19th century Anatolian prayer
rug (2)
148 x 87cm ￡400-600
1427
A KARABAGH RUNNER
SOUTH CAUCASUS, C.1900
the serrated gul field enclosed by ivory
borders of stepped diamond medallions and
outer arrowhead guard stripes, together with a
Kazak prayer rug (2)
219 x 117cm (max)
Provenance
From a Private Collection. ￡200-300
1428
A SAROUKH RUG
WEST PERSIA, C.1950
the shaped indigo field of boteh, centred by a
terracotta and sky blue medallion, framed by
ivory spandrels and floral borders, flanked by
saw tooth guard stripes
160 x 104cm ￡200-300
1429
A NEEDLEPOINT RUG OF EUROPEAN
DESIGN
20TH CENTURY
the deep olive green field with columns of flowers and vines, enclosed by narrow holly
leaf borders
302 x 103cm ￡200-300
1430
A HUNTING CARPET
PROBABLY TABRIZ, C.1950
the indigo field with mounted huntsmen in
pursuit of wild beasts, enclosed by terracotta
borders of animals, trees and birds flanked by
lemon guard stripes, signed twice in the upper
guard stripe
325 x 266cm ￡150-250
106
1429
1431
A SET OF FIVE BEECHWOOD DINING CHAIRS
19TH CENTURY
each with a balloon back and a drop-in seat covered
with Colefax & Fowler’s Eaton check fabric (5)
Provenance
Purchased by the current vendor from Colefax &
Fowler in 1993.
￡150-250
1432
A CREAM PAINTED BREAKFAST TABLE
POSSIBLY BY COLEFAX & FOWLER, MID-19TH
CENTURY AND LATER
the circular tilt-top on a faceted stem
71.3cm high, 120cm diameter
￡300-500
1433
A PAIR OF WHITE PAINTED BERGERE
ARMCHAIRS
IN REGENCY STYLE, LATE 19TH / EARLY 20TH
CENTURY
each of tub form, with a caned back and seat and later
cushion (2)
Provenance
Hurstbourne Park, Whitchurch, Hampshire.
￡200-300
1434
A PAIR OF BRASS OCCASIONAL TABLES
MID-20TH CENTURY
each inset with a rectangular glass top (2)
46cm high, 46.5cm wide, 34cm deep
￡150-200
107
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1432
1433
1434
1431
1435
1436
108
1437
1435
‘TESS’. A VICTORIAN COUNTRY HOUSE ROCKING HORSE
19TH CENTURY AND LATER RESTORED
the carved and painted dapple grey horse, with real hair mane and
tail, with leather side saddle and tack, on a green painted bow rocker
94.7cm high, 173cm long
Provenance
Purchased from Harrods Antique and Fine Furniture Department, 4th
April 2011 and described as ‘Tess’. A fully restored carved bow
rocking horse. Circa pre 1860.
￡600-1,000
1436
A LATE VICTORIAN MAHOGANY METAMORPHIC PARLOUR
GOLF GAME TABLE
LATE 19TH CENTURY
the reversible top stamped ‘PARLOUR GOLF Patent Applied For’ and
the underside stamped ‘WW’, with two clubs and two balls
61cm high, 43cm diameter
￡100-200
1437
A SATINWOOD AND MAHOGANY BONHEUR DU JOUR
POSSIBLY IRISH, LATE 19TH CENTURY
the top section with three doors each revealing four drawers, the
central door inlaid with a marquetry urn with bone stringing, above a
frieze drawer fitted with a hinged writing surface with divisions and
compartments for pens and ink
133cm high, 102.3cm wide, 47.7cm deep
Provenance
The Groves of Castle Grove, Donegal.
By descent to Commander Peter Campbell.
And by descent to the present owner.
￡100-200
1438
A MAHOGANY SOFA
IN GEORGE III STYLE, LATE 19TH CENTURY
the serpentine back above scroll arms on panelled tapering legs and
ceramic castors
92.2cm high, 168cm wide, 62.5cm deep
Provenance
The Charrington Family Collection, Winchfield House, Hampshire.
￡400-600
1438
109
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1440
END OF SALE
1439
A FRENCH BRONZE AND TILE COFFEE TABLE
MODERN
the inset red marble effect tile top on lion’s
monopodia feet
44.2cm high, 131cm wide, 130.2cm deep
￡400-600
1440
A LEATHER AND BRASS STIRRUP TABLE LAMP
IN THE MANNER OF HERMES, 20TH CENTURY
on a circular base
66.5cm high, 26cm diameter (max)
￡150-250
1441
A LOUIS VUITTON MONOGRAM BISTEN 75
SUITCASE
THIRD QUARTER 20TH CENTURY
with leather trim and brass hardware, the lock
stamped with serial number ‘1015875’, the interior
label with serial number ‘988016’, with luggage tag
17.5cm high, 75.5cm wide, 50cm deep
￡800-1,200
1442
A LOUIS VUITTON MONOGRAM BISTEN 70
SUITCASE
THIRD QUARTER 20TH CENTURY
with leather trim and brass hardware, the lock
stamped with serial number ‘1035092’, the interior
label with serial number ‘993531’, with luggage tag
17.5cm high, 70.8cm wide, 47cm deep
￡800-1,200
1439
1441
1442
OPENING HOURS
City Centre Salerooms
Monday to Friday 9am – 5pm
Old Sarum Galleries
Monday to Friday 9am – 5pm
VIEWING
All our auctions are on view at least two days prior to the sale
and details will be found in the relevant catalogues.
REGISTERING WITH US
All first time buyers need to register with us.
To register, you will need to provide two forms of identification:
1. a passport or photographic driving licence
2. a utility bill or document showing your name and address
You can register in person or by contacting client services on
01722 424500 or emailing id@woolleys.live
You will be asked to show your documents or email copies.
PLEASE NOTE: Registering with our website, or any third party
website, does not automatically register you to bid
with us.
BIDDING AT AUCTION
See below for the different options for bidding. Please note that
you may be asked to provide two forms of identification, even if
you have bid with us before, in order that we are compliant with
Money Laundering Regulations.
BIDDING IN THE ROOM
To bid at auction you will need a paddle number. This can be
obtained from client services either during the view or on the
day of the sale.
COMMISSION BIDDING
If you are unable to attend the sale you can leave a commission
bid. This will be executed on your behalf by the auctioneer who
will purchase the lot as cheaply as possible bearing in mind any
reserve price and other bids.
TELEPHONE BIDDING
It is usually possible to bid on the telephone by prior
arrangement with client services
LIVE ONLINE BIDDING
Live online bidding is now available free of charge for most
of our auctions via bid.woolleyandwallis.co.uk, enabling you to
take part in the bidding from anywhere in the world live
as it happens.
BUYER’S PREMIUM
The Buyer shall pay the hammer price together with a premium
thereon of 26% plus VAT @20% (totalling 31.2% inclusive)
on the first ￡500,000 and 20% plus VAT @20% (24% inclusive)
thereafter.
CONDITION REPORTS
The relevant department will be pleased to give condition reports
on any lot, where practical. All weights and measures given in the
catalogue should be regarded as approximate.
The colours printed in the catalogue are not necessarily true.
SALE RESULTS
These will be posted on our website shortly after the sale.
PACKING AND SHIPPING
Woolley & Wallis do not offer a packing and despatch service but
the following are carriers in our area.
Alban Shipping+44 (0)1582 493099
info@albanshipping.co.uk
www.albanshipping.co.uk
Kimdan Ltd+44 (0)7973 389436
andy@kimdan.co.uk
Mailboxes+44 (0)1962 622133
info@mbewinchester.co.uk
www.mbe.co.uk/winchester
ZIXIS Fine Art Limited+44 (0)7873 981026
zixisfineart@163.com
www.zixisfineart.co.uk
Please note that we cannot be held responsible for any damage
or loss to items once they are in the hands of a carrier.
EXPORTING YOUR PROPERTY FROM THE UK
If you are exporting your property, import taxes, customs duties
and other fees may apply at the country of destination. It is also
your responsibility to ensure that your shipment can be lawfully
imported to the destination country.
Please note that due to the withdrawal of the Retail Export
Scheme by HMRC, we are unable to provide VAT refund
documentation (C88) for hand-carried exports.
In order to qualify for a VAT refund, your lots must be exported
by a shipper and valid export documentation must be provided.
AUCTION INFORMATION
PAYMENT AND CLEARANCE
Payment is due immediately after the auction in pounds sterling.
If you are a first time buyer we will need your name, address and
bank details and will require funds to be cleared before
purchases can be released.
The following methods of payment may be made:
Bacs, debit and credit cards
Wire transfers should be sent to:
Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.
Account no. 00957707
Sort code 30-97-41
IBAN no. GB20LOYD30974100957707
BIC code LOYDGB21063
Debit and Credit cards: Visa, Mastercard, Amex or Union Pay.
Where practical, payment can be made and purchases collected
during the auction.
We reserve the right to add storage charges to all lots not
collected within 30 calendar days of the sale. This will include a
handling fee of ￡20 (+ VAT) per consignment and a storage
charge of ￡2 (+ VAT) per lot per day. No goods will be allowed
to be collected until these charges have been paid.
LOT SYMBOLS
VAT
Lots marked with an dagger (?) are subject to VAT on the
hammer price. Lots marked with an omega (Ω) have been
temporarily imported from outside the EU and are subject to VAT
at 5% on the hammer price and the buyer’s premium. In online
catalogues, the Sales Tax % column indicates the rate of VAT on
hammer price.
CITES REGULATIONS
Please note that lots marked λ may be subject to CITES
Regulations when exported.
The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports-exports/cites/
ARTIST’S RESALE RIGHT / DROIT DE SUITE
Lots marked with a Φ symbol are potentially subject to
a levy.
Droit de Suite is a royalty payable to a qualifying artist or the
artist’s heirs each time a work is resold during the artist’s lifetime
and up to a period of 70 years after the artist’s death.
Royalties are calculated on a sliding percentage scale based on
the hammer price excluding the buyer’s premium. The royalty
does not apply to lots selling below ￡1,000 and the maximum
royalty payable on any single lot is ￡12,500.
Droit de Suite, which is not subject to VAT, will be added to the
buyer’s purchase price and then passed on to the relevant
collecting agency.
Royalties for Droit de Suite are as follows:
4% Up to ￡50,000
3% ￡50,000.01 - 200,000
1% ￡200,000.01 - 350,000
0.5% ￡350,000.01 - 500,000
0.25% In excess of ￡500,000
Up to a maximum levy of ￡12,500
FIREARMS
Lots marked ? in the catalogue, or by any other means identified
as controlled firearms, are subject to the UK firearms/shotgun
licencing regime, and should only be viewed/purchased by
individuals with appropriate licences. It is the responsibility of the
bidders to ensure that they are legally authorised to acquire the
lot that they are bidding for. In the event that such a lot is
successfully bid for by an individual who is not authorised to
possess it, that individual will be required to pay for it, but will
not be allowed to take physical possession of it. The auctioneers
will re-offer the lot on behalf of the buyer in a future auction;
or may accept instructions to dispose of it by some other legal
means, at their discretion.
Visit www.woolleyandwallis.co.uk to read the full Terms & Conditions
VALUATIONS
Valuations are a core part of our business and are usually carried out by a senior
specialist or directors. Accuracy, speed and above all confidentiality are
paramount.
INSURANCE VALUATIONS
Written valuations for insurance can vary from a single item to
a large estate. Before starting we discuss the various options available so that
the valuation is specifically tailored to individual client’s needs.
For valuations of an entire house contents an itemised bound valuation is
produced and can be accompanied by photographs when required. In addition
to providing an inventory, written valuations can prevent painful arguments with a
loss adjuster in the event of a claim.
Woolley & Wallis valuations are accepted by all leading insurance companies.
PROBATE VALUATIONS
We offer a speedy and professional service for executors and trustees and
provide bound valuations for probate and duplicate copies when required. Since
security is often a consideration, we can usually arrange for a house to be
cleared and sent for auction, our Valuations Department ensures that executors
are informed of which sales are involved and the results thereof.
We also carry out valuations for Family Division, Capital Gains Tax,
and Private Treaty Sales.
Contact Jeremy Lamond
+44 (0)1722 424502 | valuations@woolleys.live
FREE AUCTION VALUATIONS
Free verbal valuations of items for sale are available by appointment.
Please email valuations@woolleys.live or call +44 (0)1722 424500
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THE BUTLER HOARD
TUESDAY 1ST JULY 2025
ENTRIES ARE CURRENTLY BEING ACCEPTED
FOR OUR 2025 AUCTIONS
+44 (0) 1722 424500
info@woolleys.live
51-61 Castle Street, Salisbury, SP1 3SU
www.woolleyandwallis.co.uk
*Price includes buyer’s premium
SALES CALENDAR
JULY
1st The Butler Hoard
2nd A Connoisseur’s Eye:
Michael Foster Ltd.
The Personal Collection
of the late Michael &
Margaret Susands
3rd Furniture, Works of Art
& Clocks
9th & 10th Fine Jewellery
15th & 16th Silver & Objects of Vertu,
including the Michael
Baggott Collection (Part I)
SEPTEMBER
2nd British and Continental
Ceramics & Glass
3rd Old Masters, British &
European Paintings
17th Arts of Africa, Oceania
and the Americas
30th Interiors
OCTOBER
1st & 2nd Furniture, Works of Art
& Clocks
15th & 16th Design
21st & 22nd Silver & Objects of Vertu
29th & 30th Fine Jewellery
Dates may be subject to change
205
174
VIEWING AT OUR OLD SARUM GALLERIES
Unit 1B, Castle Gate Business Park,
Old Sarum, Salisbury SP4 6QX
Friday 27th June 10am – 4pm
Saturday 28th June10am – 1pm
Monday 30th June 10am – 4pm
Tuesday 1st July10am – 1pm
TUESDAY 1ST JULY 2025
10.00AM - LOTS 1-347
at our City Centre Salerooms,
51-61 Castle Street, SP1 3SU
THE BUTLER HOARD
LIVE ONLINE BIDDING – FREE OF CHARGE
bid.woolleyandwallis.co.uk
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BUYER’S PREMIUM
Each lot is subject to a Buyer’s Premium of 26% plus VAT
CONDITION OF LOTS
The condition of lots is not stated in the catalogue descriptions. Reports on condition
may be available on request. The absence of condition reports in the catalogue does
not imply that the lot is free from imperfections or faults
COLLECTION OF LOTS
We are pleased to offer two weeks free storage for all lots purchased from this sale.
However, owing to a busy sale schedule, all lots not collected by 4pm on Thursday
17th July 2025 will be transferred to Sackville-West Moving & Storing in Andover,
where they will be available for collection from Tuesday 22nd July 2025. Lots will be
unavailable for collection on the 18th to 21st July 2025 as the items will be in transit.
Please note, handling and storage charges will be applied from 8am on Tuesday
22nd July 2025.
For full details, please refer to ‘Auction Information’ in the ‘Payment and Clearance’
Section at the back of the Catalogue or on our website.
On acceptance of a delivery quotation with SackvilleWest Moving & Storing, they
will waive any storage fees if they are instructed by the purchaser to deliver to
them within 2 weeks of the quotation, however transfer fees will still apply. They
provide competitive deliveries to much of the UK, and offer twice weekly trips to
London and across the south of England. Woolley & Wallis clients are eligible for a
10% discount on their first booking with SackvilleWest.
Please call 01722 446950 or 01722 424500 to make an appointment to collect
from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury,
SP4 6QX. Please call 02080 909988, email: office@sackvillewest.co.uk, to make
an appointment to collect from Sackville-West Moving & Storing.
All accounts to be settled prior to collection.
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ILLUSTRATIONS
Front cover: Lot 53
EXPORT AND CITES LICENCES
Some lots will require export or CITES licences in order
to leave the UK, please refer to the department for
guidance
Neil Grenyer
01722 446974
ng@woolleys.live
Jim Gale
01722 339161
jg@woolleys.live
Sarah Stone
01722 339161
ss@woolleys.live
Head of Department
Mark Yuan-Richards
01722 411854
myr@woolleys.live
Victoria Elwell
01722 339161
ve@woolleys.live
David Houlston
01722 339161
(Consultant)
furniture@woolleys.live
2
THE BUTLER HOARD
The Collection of Roderick and Valentine Butler
Roderick Butler’s fascination with candlesticks
began in 1957 when he joined the family antiques
business. His father had owned a small collection
of trumpet-based sticks, but they were sold after
Roderick’s mother objected to having “more brass
to clean.”
From the outset, Roderick believed collecting
should offer both purpose and challenge. He
began his own collection, retaining only fine or
rare pieces in good condition—each with
distinctive design features or makers' marks.
Over time, that purpose crystallised into a central
question: who were the makers of these objects,
and could they be identified? With little published
information available, Roderick and his wife,
Valentine, undertook extensive research while
continuing to grow their collection.
In the decades that followed, Roderick became widely respected not only as a dealer but as a leading authority on antique metalwork.
A Fellow of the Society of Antiquaries and a long-standing member of the British Antique Dealers’ Association, he also served on
the vetting panel of the Grosvenor House Antiques Fair, chairing it in its final years.
Roderick and Valentine’s shared passion for metalware and its history is evident in their body of work, which includes many published
research papers in the Antique Metalware Society (ably assisted by C.P. Green and N. Bollen) and various museum consultancy
projects. They have also staged several notable exhibitions at Marwood House. Among these were:
? Marked Domestic Brass and Other Base Metalware c.1600–c.1900 (2001)
? English Bronze Cooking Vessels and their Founders 1350–1830 (2003)
The accompanying handbooks remain cornerstone
references in the field. Many of the objects featured in
these exhibitions—some unseen on the open market for
over seventy years—are included in this sale.
The Butlers consider themselves fortunate to have
studied, handled, and shared knowledge about such fine
metalwork with curators, archaeologists, and
professionals from the National Trust, the Antique
Metalware Society, and West Dean College.
Now, after decades of collecting and research, Roderick
has concluded—perhaps inevitably—that he does indeed
have too much brass to clean. We are honoured to present
this remarkable collection for sale at Woolley & Wallis.
3
1
A BRASS PRICKET CANDLESTICK
ATTRIBUTED TO NUREMBERG, C. 1600
having a brass pricket in a shallow drip-pan, on a
baluster, ball and inverted bulbous-baluster stem,
each baluster with iron core-pins, the triform base
cast with winged angel heads together with foliate
and punched decoration, a casting fault to one base
side which appears never to have been rectified
31.5cm high
Literature
See Otto A. Baumg?rtel, ‘Gl?nzend Wie Gold’ no. 13
for a similar example.
￡250-350
2
A BRASS PRICKET CANDLESTICK
ATTRIBUTED TO NUREMBERG, C.1500
the iron pricket with traces of red paint, in a shallow
dished candle-cup, on a triple discoid knop stem and
stepped raised spreading circular base
30cm high
Literature
See Otto A. Baumg?rtel, ‘Gl?nzend Wie Gold’ nos. 10
& 11 for similar examples which also have red paint
to the pricket.
￡400-600
3
A BRASS HEEMSKERK CANDLESTICK
DUTCH, C.1600
the socket with paired circular extraction holes,
on a short inverted-baluster stem, a broad and
dished drip-pan, atop an inverted-baluster stem and
domed foot, with linear decoration
19cm high
Literature
Ter Kuile, Onno, Koper & Brons, Rijksmuseum,
Amsterdam, Staatsuitgeverij ‘s-gravenhage, 1986,
p.107, no. 147, for a comparable example.
￡200-300
4
A MID-17TH CENTURY BRASS CANDLESTICK
NUREMBERG, C.1650
having a bold socket with a moulded rim, an acorn
knop stem screwed to a wide flat circular base with
three trefoil lobes and baluster-shaped feet (one
professionally replaced)
18.5cm high
Catalogue Note
The design of this candlestick would indicate an
Iberian origin. However, the quality of manufacture
points to a centre of excellence, such as Nuremberg,
indicating it was likely made for export to Iberia or
even Scandinavia.
￡400-600
5
A MINIATURE BRASS CANDLESTICK
BY JOHANN WINDHESEL, NUREMBERG,
C.1710-30
having a slightly flared straight-sided socket, a knopped
stem atop a relatively flat drip-pan and bell-base,
maker’s mark to the foot rim (monk with a rosary)
8.5cm high
Literature
See Hermann P. Lockner, ‘Die Merzeichen der
Nürnberger Rotschmiede’, p. 155, no. 1121.
￡300-400
1 2
3
5
4
4
6
AN UNUSUALLY LARGE PAIR OF BRASS CANDLESTICKS
NUREMBERG, C.1650-1700
each with a cylindrical socket on a baluster, discoid and inverted bulbous-baluster stem, atop a broad drip-pan and bell-base, with cast and engraved banded
decoration, unusually not maker marked (2)
25.3cm high
￡1,000-1,500
5
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7
A MINIATURE BRASS CANDLESTICK
MAKER MARKED, NUREMBERG, C.1710-30
cast and turned in two parts, screwed together, having a slightly flared
straight-sided socket and knopped stem, atop a relatively flat drip-pan and
bell-base, partial punched maker’s mark (winged angel’s head) to foot rim
7.8cm high
Catalogue Note
R. Butler, ‘A Study Collection of Marked Domestic Brass and Other Base
Metalware c.1600-c.1900’, p. 102, no 221. See Hermann P. Lockner, ‘Die
Merzeichen der Nürnberger Rotschmiede’, p. 150/1, no. 1101 for the mark of
Johann Georg Romsteck which may be the maker of this candlestick.
￡200-300
8
A MINIATURE BRASS CANDLESTICK
MAKER MARKED, NUREMBERG, C.1710-30
having a slightly flared straight-sided socket, a knopped stem, atop a relatively
flat drip-pan and bell-base, maker’s mark to foot rim, partial punched maker’s
mark (winged angel’s head) to the foot rim
7.8cm high
Literature
See Hermann P. Lockner, ‘Die Merzeichen der Nürnberger Rotschmiede’, p.
150/1, no. 1101 for the mark of Johann Georg Romsteck which may be the
maker of this candlestick.
￡200-300
6
9
A BRONZE SKILLET
BY THOMAS BLINMAN & CO, BRISTOL,
C.1820
the plain bowl with a moulded rim, the handle
with a solid Vbrace and cast ‘T. BLINMAN & CO’,
on three ‘D’-shaped and prominently splayed legs
13.9cm high to rim, 14.7cm diameter
Literature
See R. Butler & C. Green, ‘English Bronze Cooking
Vessels & Their Founders 1350-1830’, pp.42-3 for
similar skillets.
￡100-150
10
AN 18TH CENTURY BRONZE SKILLET
PROBABLY BRISTOL
having a plain bowl, the handle with a notched
wedge brace and illegible inscription, on three
‘D’-shaped tapered legs, together with another
George III bronze skillet by Allen Bright & Co.,
Bristol (2)
14.5cm high max to the rim, 17.3cm diameter
(max)
Catalogue Note
Sketchley’s trade directory of 1775 records an
Allen Bright as a pewterer, brazier and worm
maker.
￡150-200
11
A GEORGE III BRONZE SKILLET
BY BAND AND HINE, BRIDGWATER /
EXETER, C.1770-80
having a plain bowl with no scratch marks, on
three ‘D’shaped splayed legs, the handle with a
wedge brace and cast ‘BAND & HINE NoIV’
16.3cm high max to the rim, 17.4cm diameter
Catalogue Note
Skillets with handles cast ‘BAND’ and then blank
are well recorded but examples including ‘HINE’
are very rare.
Literature
See R. Butler & C. Green, ‘English Bronze Cooking
Vessels & Their Founders 1350-1830’, p.36, no.1
for a similar example.
￡150-200
12
A GEORGE III BRONZE SKILLET
BY HALE & SONS, BRISTOL, C.1790
having a plain bowl, on three plain ‘D’-shaped and
splayed legs, the handle with ‘V’-shaped brace and
cast ‘HALE & SONS *2’
14.8cm high to rim, 16cm diameter
Catalogue Note
Sketchley’s Directory of 1775 records William
Hale & Son, coppersmiths and braziers, 2
Charlotte Street. Matthew’s Directory of 1793-4
records a Richard and Thomas Hale.
￡100-150
13
A CHARLES II BRONZE ‘MOTTO’ SKILLET
WEST COUNTRY, PROBABLY BY THOMAS
STURTON II, C.1670
loam cast, the bowl with four-arc and stylised ‘T’
founder’s marks, on ribbed and splayed legs, the
handle cast with the motto ‘BEE CONSTANT’
13.5cm high max to rim, 17.2cm diameter
￡200-300
14
A DOCUMENTED CHARLES II BRONZE
‘MOTTO’ SKILLET
BY THOMAS STURTON II (C.1629-1682),
SOUTH PETHERTON, SOMERSET, C.1670
loam cast, the bowl with a slight rim, four-arc and
stylised ‘T’ founder’s marks, on ribbed legs, the
handle with V-brace and cast ‘WIL THIS PLES YOU’
16.3cm high to the rim, 21.8cm diameter
Literature
Illustrated in R. Butler & C. Green, ‘English Bronze
Cooking Vessels & Their Founders 1350-1830’,
p. 108, no. 102.
￡200-300
9 10
11 12
13 14
7
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15
PRESENTLY THE EARLIEST RECORDED WHITECHAPEL FOUNDRY
MORTAR, LONDON: AN ELIZABETH I BRONZE MORTAR
ATTRIBUTED TO ROBERT MOT (FL.1574-1606)
the form reminiscent of Flemish mortars of the same period, with
Renaissance-style foliate arabesque waist decoration, the rim cast with
the inscription: ‘I SPEKE TO THE NO EVELE’
10.8cm high, 14.2cm diameter
Provenance
Formerly in the John Fardon Collection.
Catalogue Note
One previously recorded mortar by Mot (whereabouts unknown) inscribed
round the rim ‘ROBERTVSMOT ME FECIT 1590’ was originally in the
collection of E. Saville-Peck, p. 65. The Whitechapel Foundry was
established by 1567 by an unidentified precursor of Robert Mot.
Literature
Illustrated and discussed in Michael Finlay, ‘English Decorated Bronze
Mortars’, p. 65, no. 84.
￡1,000-1,500
16
THE CARNFORTH POSNET: AN EXCEPTIONAL LEADED BRONZE
POSNET
ENGLISH, C.1200-1300
the spherical plain body with flared rim, on three tall rectangular-section
legs, the tapering handle supported by an open curved brace, and with a
downswept kicked terminal
31cm high to tip of handle , 37.5cm long, 16.5cm diameter
Catalogue Note
The spherical-shaped body makes this the earliest type of Medieval posnet
recorded. This lot is a remarkable survivor, having been discovered in October
2003 by a metal detectorist, ‘feet down’ and just a few inches below the
surface of a watery meadow near Carnforth, Lancashire (Portable Antiquities
database no. LVPL838). It is remarkable not to have split from frost, it is
almost undamaged. It appears never to have been used due to the condition
of the base of the legs where every detail of casting can be seen, if used in a
fire only once and dragged over the hearth stones this would be visible.
Literature
N. Herepath & R. Butler, ‘Medieval Archaeology Journal of the Society of
Medieval Archaeology’, 2004, Vol XLVIII, p.239-40. See also R. Butler,
‘A Study Collection of Marked Domestic Brass and Other Base Metalware,
c. 1600 - c. 1900’ (2001), p. 174, for another very similar posnet, and an
accompanying illustration from the 13th century Romance of Alexander,
showing a posnet of this type and decoration in use. A comparable posnet
sold Bonhams, The John Douglas Collection, 19th April 2021, lot 234,
(￡7,650), from Ballintium House, Strathardle, Scotland.
￡4,000-6,000
17
A CHARLES II BRONZE MORTAR
SOMERSET, DATED ‘1680’, MAKER’S MARK OF THOMAS STURTON, (B.1629-D.1683)
a scratched marked ‘T’ and four-arc mark, along with the date ‘1680’, opposed by the ownership triad ‘G’ over ‘GA’, below a scratched decorative frieze
of overlapping semi-circles
14.6cm high, 19cm rim diameter
Provenance
Formerly in the John Farndon Collection.
Literature
Illustrated and discussed in Michael Finlay, ‘English Decorated Bronze Mortars’, p. 120, no. 233.
￡600-800
15
17
16
8
18
A REGENCY GILT-BRASS CHAMBERSTICK
BY THOMAS B. WHITFIELD, BIRMINGHAM (FL.1818-1833), C.1820
cast as a dolphin supporting a scallop shell centred by a shell-shaped nozzle,
stamped ‘PUBLISHED AS THE ACT DIRECTS FEB 24 1831 T B WHITFIELD
NO. 115’ to the base
8.5cm high, 11.4cm wide
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked Domestic Brass and
Other Base Metalware, c.1600-c.1900’ (2001), p.93, no. 199. See also Journal
of the ‘Antique Metalware Society’, Vol. 7, 1999, illustrated on the front cover.
￡120-180
19
A WILLIAM IV BRONZE CHAMBERSTICK
AFTER THE ANTIQUE, BY PHIPSON & LAMBLEY (FL.1828-1835),
BIRMINGHAM, DATED ‘1832’
of oil lamp design, with a gadrooned-urn socket, on a rounded oval tray with a
swan-neck handle and conical douter, the underside cast ‘PUBLISHED BY
PHIPSON & LAMBLEY 1832’
15.9cm
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked Domestic Brass and
Other Base Metalware, c.1600-c.1900’ (2001), p.70, no.150 and Journal of
the ‘Antique Metalware Society’, Vol. 7, 1999 for published ‘As the Act Directs’.
￡120-180
20
AN INTERESTING GEORGE III BRASS CHAMBERSTICK
C.1800
made entirely of thin sheet, even the acanthus leaf handle of two pressed
elements filled with lead, the drip-pan engraved ‘ROMAN TREASURY BRASS
OF CLAUDIUS CEASAR AD42’ (treasury brass referring to coin), together with
another George III brass chamberstick, with twist stump ejector, seamed
socket and an unexplained ‘gadget’ to the short stem, losses to rim of drip-pan,
riveted finger carry handle (2)
14.6cm diameter (max)
￡60-80
21
A RARE VICTORIAN BRASS CHAMBERSTICK
BY BARLOW, BIRMINGHAM, C.1850
with a push-up stump ejector and spring loaded candle grip within a cylindrical
linear decorated stem, on a circular dish base, with scroll finger-handle,
stamped ‘J BARLOW’S PATENT’ to the top of ejector
10.7cm high, 15.5cm diameter
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked Domestic Brass and
Other Base Metalware c.1600c.1900’, p. 11, no. 12.
￡80-120
22
A VICTORIAN BRASS CHAMBERSTICK
BY J M HASTINGS, BIRMINGHAM, C.1850-60
having a tulip-shaped socket with wide flared sconce, centred by a ‘save-all’,
the cylindrical extending stem with a plaque inscribed ‘MOFFAT’S PATENT J
M HASTINGS MANUFACTURERS 26 COLESHILL ST BIRMINGHAM’, on a
dished circular base, the scroll finger-handle attached by copper rivets
9cm high (closed), 12.5cm diameter
Literature
See Shire Album, 311, ‘Brass and Brassware’, p.19 for a similar chamberstick
with applied maker’s plaque.
￡80-120
20
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23
A GEORGE II BRASS TAPERSTICK
C.1720-30
of silver form, with a single mid-fillet to the
socket, on an inverted-baluster stem and
dished square base with concave corners,
remains of silvering
10.8cm high
￡200-300
24
A PAIR OF GEORGE III BRASS
TAPERSTICKS
BY ROBERT BUSH SENIOR, BRISTOL,
(FL.1755-1807), C.1760
seamed, each with mid-fillet cylindrical
socket above a knopped stem and a shaped
petal- base, cast ‘BUSH’ to the underside (2)
12.7cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware c.1600-c.1900’, p. 19, no. 27.
See E. Koldeweij, ‘The English Candlestick
1425-1925’, p.136, no. 117, for a pair of
candlesticks by Robert Bush Sr. with similar
socket and stem.
￡400-500
25
A GEORGE III HIGH-COPPER BRASS
TAPERSTICK
C.1760
having a cylindrical socket, a columnar stem
and dished flat square base
13cm high
Literature
See E. Koldeweij, ‘The English Candlestick
1425-1925’, p.169, no. 115 for a comparable
example.
Exhibited
Keith Pinn, Essex, December 1981, no. 8.
￡200-300
26
A GEORGE I BRASS TAPERSTICK
C.1720
having a faceted waisted socket, a faceted
baluster stem and raised hexagonal base
12.5cm high
Exhibited
Keith Pinn, Essex, December 1981, no. 9
￡200-300
27
A GEORGE II BRASS TAPERSTICK
C.1720-40
seamed, the cylindrical socket with a flared
flange, on an inverted-baluster stem, the
circular dished base having four unusual
‘indents’ to the footrim matching the design
of the upper stem knop, and engraved with a
letter ‘W’ beneath a coronet for a Viscount
11.3cm high
Literature
See E. Koldeweij, ‘The English Candlestick
1425-1925’, p.114, no. 90 for a highly
comparable example.
￡250-350
28
A RARE HENRI II BRASS MINIATURE
CANDLESTICK
FRENCH, C.1550
having a flared and single reeded socket, a
flat square knop and entasis column stem, on
a dished circular base with raised foot rim
11.7cm high
Literature
See R. F. Michaelis, ‘Old Domestic BaseMetal Candlesticks’, p. 45, see fig.38, and
Bonhams, Oxford, 1st October 2014, lot 367,
for comparable candlesticks.
Exhibited
Keith Pinn, Essex, December 1981, no. 7.
￡400-600
23
24
25
26
27
28
10
34 part
29
A LATTEN SPOON
FORMERLY A PASTRY JIGGER, C.1600
originally tinned, having a fig-shaped bowl, flattened
hexagonal tapering stem, with divergent end and pin to hold
the jigger
13.2cm long
Literature
Illustrated in M. Finlay ‘Pastry Jiggers and Pastry Prints”, p.16,
no. 45.
￡100-150
30
A CHARLES II LATTEN SCROLL-BALUSTER AND
GADROONED SEAL TOP SPOON
C. 1670
having a tapering flattened hexagonal stem, maker’s mark of
‘G B’ to oval bowl
17.8cm long
Literature
R. Butler, ‘A Study Collection of Marked Domestic Brass and
Other Base Metalware, c.1600-c.1900’, (2001), p. 39, no. 56.
The author notes the brazed repair to the base of the stem,
possibly indicating parts of two spoons.
￡60-80
31
A CHARLES II TINNED LATTEN SCROLL-BALUSTER
AND GADROONED SEAL TOP SPOON
C. 1670
having a tapering flattened hexagonal stem, the fig-shaped
bowl with ‘double-whited’ maker’s mark ‘RB’, interesting
historic repair joining two spoons together
17.3cm long
￡60-80
32
A 17TH CENTURY LATTEN ST. JOHN APOSTLE SPOON
C.1640
having a flattened hexagonal tapering stem, the fig-shaped
bowl with stamped maker’s mark of a Tudor rose
17.1cm long
￡100-150
33
A CHARLES II TINNED LATTEN SCROLL-BALUSTER
AND GADROONED SEAL TOP SPOON
C. 1660
having a tapering flattened stem, the oval bowl with stamped
maker’s mark ‘IR’
17.7cm long
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked
Domestic Brass and Other Base Metalware, c.1600-c.1900’,
(2001), p. 49, no. 92.
￡80-120
34
A WIILLIAM AND MARY TINNED LATTEN TREFID
SPOON
C.1690
the oval bowl with ‘double-whited’ maker’s stamp ‘HH’, the
stem with linear edge decoration, together with another
tinned latten trefid spoon with a ‘double-whited’ maker’s mark
(2)
17.7cm long (max)
Literature
The first spoon illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base Metalware, c.1600-
c.1900’, (2001), p. 46, no. 86.
￡100-150
32
33
29 30 31
38
39
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35
A WILLIAM AND MARY TINNED LATTEN TREFID
SPOON
BY GABRIEL GRUNWIN (FL. 16811713)
maker’s mark to oval bowl ‘GG’ beneath a heart,
(PS4123)
18.4cm long
￡100-150
36
A CHARLES II TINNED LATTEN SCROLLBALUSTER AND GADROONED SEAL TOP
SPOON
C.1670
having a tapering flattened hexagonal stem, maker’s
mark of a Tudor rose to fig-shaped bowl
17.4cm long
￡100-150
37
A 17TH CENTURY LATTEN ST. MATTHEW THE
EVANGELIST APOSTLE SPOON
C.1640
having a tapering flattened stem, a figshaped bowl
stamped with maker’s mark of a Tudor rose
17.4cm long
￡100-150
38
AN ELIZABETH I LATTEN SEAL TOP SPOON
ALMOST CERTAINLY LONDON, C.1600
with tapering flattened hexagonal stem, fleur-delys
maker’s mark to figshaped bowl
15.5cm long
￡200-300
39
A 17TH CENTURY LATTEN APOSTLE SPOON
C.1640
having a flattened and bevelled tapering stem, a round
bowl with indistinct maker’s mark (‘IC’ or ‘IG’)
17.6cm long
￡100-150
40
A CHARLES I LATTEN STRAWBERRY KNOP
SPOON
C.1640
with flattened and bevelled tapering stem, the round
bowl with indistinct ‘doublewhited’ maker’s mark,
thereby implying the spoon was originally tinned
16.9cm long
￡200-300
35 36 37
40
41
42
43
44
46
41
A GEORGE III OAK HANGING SPOON RACK
C.1790
with eleven apertures and an ‘a(chǎn)rchers-bow’ base
53.7cm high, 31.7cm wide, 10.7cm deep ￡100-150
42
TWO LATE 18TH CENTURY SPIRAL IRON
CANDLESTICKS
ENGLISH OR FRENCH, C.1790
each having a stem formed from a piece of flat, coiled
steel, terminating in a hook for hanging, one fitted with
a rounded traveller, on domed and turned beech base (2)
19.8cm high (max) ￡80-120
43
A LATE 18TH CENTURY SPIRAL IRON
CANDLESTICK
ENGLISH OR FRENCH, C.1780
the stem formed from a piece of flat, coiled, iron,
terminating in a pointed-hook for hanging, fitted with a
traveller with tightly coiled terminal, on a fruitwood
base
19.3cm high ￡100-150
44
A SHEET-BRASS HANGING LANTERN
19TH CENTURY
of barrel shape, with fluted ‘chimney’, the body formed
from straps with horn panes, enclosing a cylindrical
socket and drip-pan with raised narrow rim
30cm high ￡100-150
45
A GEORGE III OAK CANDLEBOX
C.1800
of tapering form with a hinged sloping lid and stepped
arched and pierced backplate
47.6cm high, 19.2cm wide, 14cm deep ￡60-80
46
A WILLIAM IV SHEET IRON PALMER’S PATENT’
‘SELF-EXTINGUISHING’ NIGHT CANDLESTICK
C.1835
having one tube housing a sprung candle-holder and an
opposing smaller tube supporting a snuffer with
duration adjustment, on a square dished and box-form
base, centred by ‘PALMER PATENT’ plate, with rare
remains of green paint
34.5cm high
Catalogue Note
Palmer’s patent of 1832 included a design for the
candle-holder outside of the tube which contained the
spring. This twin tube design was deemed an
improvement on the single tube which could get
‘gummed-up’ with wax. ￡200-300
12
45
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47
A WONDERFUL AND EXTREMELY RARE BRONZE CANDLESTICK
ENGLISH, C.1400-1500
having a cylindrical socket with linear decoration, the solid cylindrical stem
centred by a discoid knop, on a shallow capstan-form base, old losses to base
15.3cm high
Catalogue Note
This candlestick forms part of a small group recognised as the earliest stable
form of copper-alloy candlestick manufactured in England in the late 14th
and 15th century. At first glance it is comparable to the so-called ‘Bunsen
Burner’ candlesticks of similar date, namely in the design of the stem and
socket. However, the base design is completely different and far rarer; it is
concave and not simply straight-sided. The candlestick’s fine patination
implies an archaeological recovery and the crisp detail retained implies it was
‘lost’ when fairly new.
For a comparable example see the Victoria & Albert Museum, London,
acc.no. M.571-1911.
Literature
W. G. Mackay Thomas ‘English Candlesticks Before 1600’, pp. 21, 22, pls. 8, 9.
Exhibited
Antique Metalware Society, ‘Finds’, September 2006, Taunton.
￡4,000-6,000
48
A DOCUMENTED GEORGE III RUSHLIGHT AND
CANDLEHOLDER
DEVON. C.1800
having a wrought iron rolled socket and short rectangular
jaws on a twist and plain stem, the whole on a domed and
turned beech base with original blue paint
28.5cm high
Literature
Illustrated and discussed in, R. Ashley, ‘The Rushlight &
Related Holders’, p. 225, fig. 183A. The author notes the
angle, position and length of arm is indicative of holders
found from the east of the Dartmoor area.
Exhibited
‘An Exhibition of Candlesticks’, Spink, London, 1974, no.
118. Old label reading ‘Newton Abbott’ to underside.
￡300-500
49
A DOCUMENTED EARLY 19TH CENTURY
RUSHLIGHT
HAMPSHIRE OR SUSSEX
having a pair of wrought iron spring-action ‘T’-shaped jaws
with a scroll arm, on an unusual raised moulded square oak
base
25cm high
Literature
Illustrated and discussed in R. Ashley, ‘The Rushlight &
Related Holders’, p. 212, fig. 173B.
￡200-300
50
A DOCUMENTED GEORGE III IRISH WROUGHTIRON STANDING ADJUSTABLE RUSHLIGHT AND
CANDLE HOLDER
NORTH / NORTH WEST IRELAND, C.1780
having two long main stems and single spring, on a strapstyle tripod base and ‘penny’ feet, the tapering rolled candle
holder on a twist-work arm, the rushlight with rounded
square-end jaws
76.5cm high (min)
Literature
Illustrated and discussed in R. Ashley, ‘The Rushlight and
Related Holders’, p. 272, fig. 247A.
￡300-500
51
A DOCUMENTED EARLY 19TH CENTURY
RUSHLIGHT
SOUTH EAST ENGLAND, PROBABLY SUSSEX
having a pair of wrought iron slender and round-ended
spring loaded jaws, with round-section arm and stem,
on a ‘bottle-shaped’ turned elm base
22.6cm high
Provenance
Bruton Knowles, The ‘Bertie’ Isher Collection, 27th April
1976, lot 12.
Literature
Illustrated and discussed in R. Ashley, ‘The Rushlight &
Related Holders’, p. 205, fig. 162 A.
￡250-350
52
A ‘STABLE’ OR ‘BIRDCAGE’ IRON CANDLESTICK
NORTH WEST EUROPE, C.1800
of typical form, the stem of six struts (one twist-work),
topped by a pierced disc with elongated downswept hook,
the adjustable candle-holder on a circular pierced disc with
integral loop handle, a shaped drip-pan with a raised edge,
on a pine turned and waisted circular base, with a tallow
candle
21.6cm high
Literature
See P. A. Bolley, ‘Das Beleuchtungswesen’, pl. 12, for
variations on this style of candlestick.
￡150-200
48 49
50
52
14
51
15
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53
AN EXCEPTIONALLY RARE PAIR OF LARGE AND FINE
‘CHALICE AND PATEN’ BRASS CANDLESTICKS
ENGLISH, C. 1550
each having a double-waisted socket, an addorsed baluster stem
centred by a discoid knop, a dome-centred flat drip-pan with
moulded edge (the paten), on a chalice-shape support, and
spreading two-stage base, with linear bands of decoration (2)
32cm high
Catalogue Note
One candlestick has been re-peaned, the other with top and base
held be a screw which uniquely provides access to view casting
and turning technique. This pair is amongst the largest of their
type recorded.
See the Victoria & Albert Museum Collection, London, for a virtually
identical single candlestick, part of the W.G. Mackay Thomas
bequest, acc. no. M.21-1964. See also Christie’s, The Lear
Collection, King Street, London, 15th December 1998, lot 53
(￡21,850); the William Du Pont Collection, Sotheby’s, New York,
22nd June 2022, lot 196 ($35,280) and lot 197, ($21,420).
See also The ‘Bertie’ Isher Collection, Bruton Knowles,
27th April 1976, lot 208.
￡30,000-50,000
54
56
54
A GEORGE III BRASS CANDLESTICK
BY WILLIAM LEE, BIRMINGHAM, (FL.1759-1800), C.1770
having a cylindrical socket with low fillet
and integral octagonal-shaped sconce,
on an inverted-baluster and knopped
stem, raised petal-shaped base, stamped
‘Wm. LEE’ to the underside
23.5cm high
Literature
Illustrated in R. Butler, ‘A Study
Collection of Marked Domestic Brass
and Other Base Metalware c.1600-
c.1900’, p.56, no. 124. William Lee is
recorded as working in Castle Street,
Birmingham, from 1759. He is listed as a
candlestick maker and founder from
1767. He appears to have retired in
1780 and died 1800. ￡120-180
55
A GEORGE III BRASS CANDLESTICK
BY WILLIAM LEE, BIRMINGHAM, (FL.1759-1800), C.1770
the socket with an integral drip-pan, on a
knopped stem and petal-shaped base, a
foundry patch to the larger knop,
stamped ‘WM LEE’ to the underside
20.3cm high
Literature
Illustrated in R. Butler, ‘A Study
Collection of Marked Domestic Brass
and Other Base Metalware c.1600-
c.1900’, p. 56, no. 125. William Lee is
recorded as working in Castle Street,
Birmingham, from 1759. He is listed as a
candlestick maker and founder from
1767. He appears to have retired in
1780 and died 1800. ￡80-120
16
58
55
57
59
56
A GEORGE II BRASS CANDLESTICK
BY GEORGE GROVE, BIRMINGHAM, (FL.17481768), C.1755
having a single-fillet socket with an
integral cusp-edge, a faceted knopped
stem and circular petal-shaped base, with
twist-eject mechanism, stamped (mark 1)
‘GEORGE GROVE’ to the underside
19cm high
Literature
Illustrated in R. Butler, ‘A Study Collection
of Marked Domestic Brass and Other
Base Metalware c.1600-c.1900’, p. 42,
no. 60. ￡70-100
57
A GEORGE II BRASS CANDLESTICK
BY GEORGE GROVE, BIRMINGHAM, (FL.17481768), C.1748/9
seamed, the single-fillet socket with an
integral sconce, above a faceted knopped
stem and petal-shaped base, twist
ejection mechanism, stamped ‘GEO.
GROVE’ (now virtually erased by
scraping) and ‘JOSEPH WOOD’ , maker
and retailer, Birmingham, (fl.1726-1749)
19cm high
Literature
Illustrated in R. Butler, ‘A Study Collection
of Marked Domestic Brass and Other
Base Metalware c.1600-c.1900’, p. 95.
no. 203. ￡100-150
58
A GEORGE III BRASS CANDLESTICK
BY EDWARD KENDRICK, LONDON, (FL.17811804)
having a cylindrical and single-fillet
socket and integral cusp-edged sconce,
inverted-baluster and knop stem, on a raised shaped circular base, marked ‘E2K’
& X’ to the underside
20.3cm high
Literature
Illustrated in R. Butler, ‘A Study Collection
of Marked Domestic Brass and Other
Base Metalware c.1600-c.1900’, p.51,
no. 98. ￡80-120
59
A GEORGE III BRASS CANDLESTICK
BY EDWARD KENDRICK, LONDON, (FL.17811804)
having a cylindrical and single mid-fillet
socket and integral flared sconce,
inverted-baluster and knop stem, on a raised shaped circular base, cast ‘E3K’ to
the underside
19.1cm high
Literature
Illustrated in R. Butler, ‘A Study Collection
of Marked Domestic Brass and Other
Base Metalware c.1600-c.1900’, p.51,
no. 99. ￡80-120
17
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64
60
A RARE BRASS ‘TAVERN’ OR ‘COFFEE HOUSE’
CANDLESTICK
ENGLISH, C.1650-1700
having a cylindrical socket with moulded narrow flange, a slender
entasis stem with waisted end, on a slightly dished circular base,
with flared rim
20cm high
Literature
See E. Koldeweij, ‘The English Candlestick 1425-1925’, pp. 74-
77, nos. 41 - 45, for comparable examples inscribed and dated
16651695, 1709.
￡300-400
61
A PAIR OF WILLIAM AND MARY DWARF BRASS
CANDLESTICKS
C.1690-1700
possibly lantern candlesticks, each with a waisted socket
engraved with ownership initials ‘NR’ or ’NK’, on an inverted
acorn stem and dished octagonal base (2)
8.3cm high
Exhibited
Keith Pinn, Essex, 1981, no. 10 and BADA Exhibition, ‘England at
the time of William and Mary’, Grosvenor House, London, 1989,
no.45.
￡600-800
62
A RARE AND SMALL WILLIAM AND MARY BRASS
CANDLESTICK
C.1690
in the Huguenot manner and cast in three parts, having a slightly
waisted cylindrical socket, an acorn knop stem, circular drip-pan
with foliate cast decoration and a square base, with matching
decoration to the edge
11.1cm high
Literature
See CINOA Exhibition, 1962, pl. 165 for a set of four similar
silver candlesticks, hallmarked London 1679.
Exhibited
Spink, London, 1974, no. 24.
￡400-600
63
A BRASS ‘TAVERN’ OR ‘COFFEE HOUSE’ CANDLESTICK
ENGLISH, C.1670-1700
having a cylindrical socket, a slender entasis stem, a slightly
domed circular base with spreading foot rim, a possible stamped
mark to foot rim
21cm high
Literature
See E. Koldeweij, ‘The English Candlestick 1425-1925’ (2001),
pp. 7477, nos. 41 45, for comparable examples inscribed and
dated 1665-1695, 1709.
￡300-500
64
AN UNSUAL GEORGE II BRASS TWINBRANCH
CANDELABRUM
C.1750
with a pair of articulated and vertically adjustable ‘S’-scroll
branches, each with a detachable cylindrical socket and flat
narrow-rim dish-pan, one socket and arm marked ‘ ? ? ‘
38.5cm high
￡300-500
60 61
62 63
65
A PAIR OF GEORGE III BRASS
CANDLESTICKS
BY EDWARD KENDRICK, LONDON,
(FL.1781-1804)
each having a cylindrical socket with an integral
flared sconce, a baluster stem on a flat dished
square foot, cast ‘E2K’ to the underside (2)
15.9cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware c.1600-c.1900’, p. 51, no. 95. The
numeral ‘2’ that forms part of the mark is thought
to refer to the size of the candlestick.
￡200-300
66
A PAIR OF GEORGE III BRASS
CANDLESTICKS
BY EDWARD KENDRICK, LONDON,
(FL.1781-1804)
each having a single mid-fillet cylindrical socket
and a cusp-edged flared sconce, a knopped stem
and shaped circular base, push ejector to the
underside along with cast initials ‘E K’ (2)
20.5cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware c.1600-c.1900’, p. 51, no. 100.
￡150-200
67
A PAIR OF GEORGE III BRASS
CANDLESTICKS
BY EDWARD DURNALL, BIRMINGHAM,
(FL.1759-1801) , C.1765
each with a single-fillet cylindrical socket with
integral sconce, above a knopped stem and petalshaped base, seamed and with twist-eject
mechanism, stamped ‘Ed DURNALL’ to the
underside (2)
17.8cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware c.1600-c.1900’, p. 30, no. 43.
￡200-300
18
68
A PAIR OF GEORGE III BRASS
CANDLESTICKS
PROBABLY IRISH, C.1760-80
each having a tall cylindrical socket, a large reeded
knop atop a tapering fluted stem, on a stepped
circular base with geometric line decoration and
an hexagonal foot (2)
28.5cm high
Literature
See Antique Metalware Society Journal 1999,
p.46, fig. 6b for a very similar candlestick where it
is noted ‘this form is found in Ireland in some
quantity’. See also E. Koldeweij, ‘The English
Candlestick 14251925’, p.179, no. 166 and the
John Douglas Collection, sold Bonhams, 19th April
2021, lot 198 for further examples.
￡150-200
69
A PAIR OF GEORGE III BRASS
CANDLESTICKS
BY EDWARD BERRY, C.1760-80
seamed, each with a single-fillet socket with an
integral sconce, above a discoid knop and tapering
stem, on a dished square base with internal
pusher, stamped ‘E BERRY’ to the underside (2)
26.8cm high
Catalogue Note
Edward Berry, a brazier by trade, worked at 15 St
Paul’s Churchyard 176575 and at 74 Great
Queen Street 17779. See the British Museum
Collection, London, for the trade sheet of Edward
Berry, ‘Ironmonger, Brazier and Founder, at the
Two Candlesticks & Bell, the South Side of St.
Pauls Church Yard, London’, donated by Sir
Ambrose Heal, museum no. Heal 85.26 and a billhead for Edward Berry dated ‘74, no. Heal 85.28.
￡300-400
70
A PAIR OF GEORGE I BRASS CANDLESTICKS
C.1720
each having an octagonal socket and baluster
stem, on a raised faceted and octagonal base, one
with a foundry patch (2)
19.5cm high
￡150-200
71 72
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71
A RARE PAIR OF GEORGE III SHEET-BRASS
CANDLESTICKS
IN THE NEO-CLASSICAL STYLE AND
CONSTRUCTED IN THE OLD SHEFFIELD
PLATE MANNER, C.1770
each with a Corinthian capital socket on a fluted
columnar stem, raised concave square base
embossed with NeoClassical decoration of tied
leafyswags and beaded oval boss, with beaded foot
rim, a turned mahogany weight to the underside (2)
29.5cm high
Catalogue Note
This pair of sheet-brass candlesticks may have been
experimental, a prototype, as no other examples are
presently recorded, except for the following lot.
Literature
G. Crosskey, ‘Old Sheffield Plate’ (2011), p.276 &
p. 304 and H. N. Veitch, ‘Sheffield Plate, Its History,
Manufacture and Art’, pp.146-7 for comparable
examples.
￡200-300
72
A PAIR OF GEORGE III SHEET-BRASS
CANDLESTICKS
IN THE NEO-CLASSICAL STYLE AND
CONSTRUCTED IN THE OLD SHEFFIELD
PLATE MANNER, C.1770
each having a removeable beaded cusp-edged
sconce, a stiff-leaf tulip-shaped socket, clustercolumn stem and raised concave square base with
rondels, swags and jewelled edges, one with original
mahogany weighted base (2)
31.5cm high
Catalogue Note
This pair of sheet-brass candlesticks may have been
experimental, a prototype, as no other examples are
presently recorded except the proceeding lot.
See Lyon and Turnbull, Silver and Jewellery, 5th
December 2002, lot 457 for a comparable silver
example.
Literature
See Keith Pinn, ‘Paktong, The Chinese Alloy in
Europe, 1680-1820’, p.106, pl. 69 for a similar brass
candlestick.
￡200-300
73
A GEORGE III BRONZE CANDLESTICK
BY EDWARD KENDRICK, LONDON, (FL.1781-
1804)
having a detachable square sconce, a fluted
columnar stem and square concave base with
beaded edge, cast ‘E3K’ to the underside
29cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base Metalware
c.1600-c.1900’, p. 51, no. 102. The number along
with the maker’s initials appears to indicate the size
of the candlestick.
￡80-120
74
A PAIR OF GEORGE III BRASS CANDLESTICKS
BY EDWARD KENDRICK, LONDON, (FL.1781-
1804)
each with a squareshaped socket, a fluted stem
and raised concave square base with beaded edges,
cast ‘E3K’ to the underside (2)
22.9cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base Metalware
c.1600-c.1900’, p. 51, no. 101.
￡150-200
75
A PAIR OF GEORGE III BRASS CANDLESTICKS
BY EDWARD KENDRICK, LONDON, (FL..1781-
1804)
each with a detachable square sconce, a fluted
columnar stem and square concave raised base with
lower gadrooned decoration, cast ‘E2K’ to the
underside (2)
25.6cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base Metalware
c.1600-c.1900’, p. 51, no. 103.
￡150-200
73
74
75
76
A PAIR OF BRASS CANDLESTICKS
LOW COUNTRIES / FRANCE, LATE 17TH
CENTURY
each with a tapering cylindrical socket with circular
extraction hole, an inverted acorn and knopped
stem, on a dished and square cutcorner base with
punched conjoined initials ‘WW’ (2)
13.3cm high (max)
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware c.1600-c.1900’, p. 96, no. 206. See
also J. Toussaint, ‘Art du Laiton Dinanderie’, p.180.
￡300-400
77
A MID-16TH CENTURY BRASS HEEMSKERK
CANDLESTICK
DUTCH, C.1650
twopart casting, the cylindrical socket with paired
rectangular extraction holes, on a doublebaluster
stem centred by a dished drippan, on a circular
domed base
21.2cm high
Catalogue Note
This is believed to be a shipwreck recovery.
￡300-400
78
A BRASS HEEMSKERK CANDLESTICK
DUTCH, C.1650-1700
of four-part construction, having a cylindrical
socket with a moulded rim, a bulbous baluster
stem and dished drip-pan, atop a larger bulbous
baluster knop stem, on a domed base
19.7cm high
Literature
See Ter Kuile, ‘Onno, Koper & Brons’, Rijksmuseum,
Amsterdam, Staatsuitgeverij ‘s-gravenhage, 1986,
p.108, no. 149, for a comparable example.
￡200-300
79
A 17TH CENTURY BRASS CANDLESTICK
DUTCH OR GERMAN, C.1680
having a cylindrical socket with moulded lip, an
inverted-acorn stem and dished circular foot
13cm high
Literature
See R.F. Michaelis, ‘Old Domestic Base-Metal
Candlesticks’, p.45, fig. 37 (right) for a very similar
candlestick.
Exhibited
Keith Pinn, Essex, December 1981, no. 5.
￡100-150
80
AN EARLY 18TH CENTURY BRASS
HEEMSKERK CANDLESTICK
DUTCH, C.1720
having a cylindrical socket with a pair of circular
extraction holes, a baluster stem, atop a broad
dished drip-pan and bold acorn knop stem, on a
raised circular base
20.5cm high
Literature
Ter Kuile, ‘Onno, Koper & Brons’, Rijksmuseum,
Amsterdam, Staatsuitgeverij ‘s-gravenhage, 1986,
p.109, no.151, for a comparable candlestick.
￡100-150 80
20
79
21
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81
AN EXCEPTIONAL FIVE-KNOP BRASS CANDLESTICK
NORTH-WEST EUROPE, PROBABLY DINANT, BELGIUM, C.1450-1500
having a bold flared socket with paired rectangular extraction holes, the stem with five paired addorsed graduated discoid knops, two-stage base with a
dome-centred dish over a capstan foot
30.8cm high
Catalogue Note
For a similar candlestick see Christie’s, The Lear Collection, King Street, London, 15th December 1998, lot 24. See also Sotheby’s, New York, William Du
Pont Collection, 22nd June 2022, lot 22, ($17,640).
Literature
See H. P. Lockner, ‘Messing’, pp. 167-8, figs. 328, 329; J. Caspall, ‘Fire & Light’, p. 81, fig. 138.
Exhibited
‘An Exhibition of Candlesticks’, Spink, London, 1974, no.4. The catalogue refers to a Persian base.
￡6,000-8,000
82
A PAIR OF NORTH EUROPEAN BRONZE
CANDLESTICKS
DUTCH OR FRENCH, C.1710-40
each with a waisted socket, faceted inverted
baluster stem and octagonal base (2)
17cm high
Catalogue Note
See Hague Museum handbook, ‘Candlesticks’,
1971, no. 14 for a comparable candlestick.
￡200-300
83
A PAIR OF NORTH EUROPEAN BRASS
CANDLESTICKS
FRENCH OR GERMAN, PROBABLY C.1700-20
each with an octagonal socket with a circular
extraction hole, inverted baluster stem and dished,
faceted base (2)
15cm high
￡150-200
84
A COPPER-RICH ALLOY CANDLESTICK
FRENCH, C.1710-30
the elongated octagonal socket with a circular
extraction hole, on an inverted baluster stem and
dished octagonal base
17.4cm high
Exhibited
‘An Exhibition of Candlesticks’, Spink, London,
1974, no. 53 (listed as English) and Keith Pinn,
Essex, 1981, no. 6.
￡70-100
85
A HENRI II HEAVY BRASS CANDLESTICK
FRENCH, C.1550-1600
the single fillet socket with an iron core pin and single
circular extraction hole, on a tapering stem with basal
knop, on a dished and spreading circular base
23cm high
Catalogue Note
See Sotheby’s, Zurich, November 1980, lot 75,
for a similar candlestick.
￡300-500
86
A BRASS CANDLESTICK
FRENCH OR GERMAN, C.1700
having a cylindrical socket with a filled circular
extraction hole, a knopped and inverted-acorn
stem, and dished hexagonal base, with remains of
silvering
14.5cm high
Literature
See V. Baur, ‘Metal Candlesticks: History, Styles
and Techniques’, p.99 for a comparable silver
example hallmarked Toulouse 1694.
￡70-100
87
A BRASS CANDLESTICK
FRENCH, C.1650-1675
the bold cylindrical socket with mid-fillet and
circular extraction aperture, the stem with an
inverted acorn knop, spreading foot and stepped,
flat square base with two punches of a crowned
‘R’ duty mark
16.8cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware c.1600-c.1900’, p. 73, no. 155.
￡100-150
82 83
22
84 85 86 87
90
A GOOD AND LARGE BRASS HEEMSKERK CANDLESTICK
C.1525-50
two part casting, peaned then turned, having a bold slightly flared socket
with a pair of rectangular extraction holes, on a single discoid knop stem
above a broad and deeply dished drip-pan, a ribbed base with discoid
knop and spreading circular ribbed base, the lead weight to the
underside removed
21.8cm high
Provenance
Reputedly from a Cornish shipwreck, purchased Falmouth, Cornwall,
c.1980. A very similar example sold Bonhams, Edinburgh, 13th
September 2021, lot 7 (￡3,750).
Catalogue Note
See also Christie’s, The Lear Collection, King Street, London, 15th
December 1998, lot 64.
Literature
R. F. Michaelis, ‘Old Domestic Base-Metal Candlesticks’, p.74, fig. 96;
Schiffer, ‘The Brass Book’, p. 154, fig. A. and Art Du Laiton Dinanderie
c.1525-1550, p.175.
￡2,000-3,000
91
A GOOD BRASS ‘CAPSTAN-BASE’ CANDLESTICK
DINANT, BELGIUM, C.1500-30
having a ‘U’-shaped socket with a pair of circular extraction holes,
a solid-cast discoid and baluster stem, atop a broad drip-pan and large
capstan-shaped base, linear banded decoration
21.3cm high
Provenance
Air Commodore Whitney Willard Straight (1912-1979), Dartington Hall,
Devon, Sotheby’s house sale, 16th November 2011, See Christie’s, The
Lear Collection, King Street, London, 15th December 1998, lot 75 for a
very similar example.
Literature
Schiffer, ‘The Brass Book’, p. 155, figs. B & C; R. Gentle & R. Feild,
‘Domestic Metalwork 1640-1820’, p.121, fig. 6 and L’or des Dinandiers,
Rue des Brasseurs, p. 117, no.221.
￡1,000-1,500
23
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88
A LARGE AND FINE BRASS CANDLESTICK
DINANT, BELGIUM, C.1450-1500
having a bold flared socket with paired rectangular extraction holes, atop
a discoid knop and ribbed baluster stem, a ribbed high-domed base and
dished base with splayed foot rim, with a precisely engraved ownership
or merchant’s mark to the underside
27.3cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked Domestic Brass and
Other Base Metalware c.1600-c.1900’, p.105, no. 228. See also L’or des
Dinandiers, Rue des Brasseurs, p. 93, nos. 73, 76 and p. 97 for similar
candlesticks. A similar example was exhibited Frankfurt Museum,
2nd December 1987 to 31st January 1988, item 47.
￡2,000-3,000
89
A LARGE AND FINE BRASS CANDLESTICK
DINANT, BELGIUM, C.1450-1500
having a bold tapered socket with paired rectangular extraction holes,
on a paired discoid and addorsed baluster stem, on a domed and slightly
dished base with splayed foot rim, a precisely engraved ownership or
merchant’s mark to the underside
31.1cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked Domestic Brass and
Other Base Metalware c.1600-c.1900’, p.106, no.239. See also L’or des
Dinandiers, Rue des Brasseurs, p.93, nos. 73, 76c & p.97.
Exhibited
Spink, London, 1974, no. 7.
￡1,200-1,800
88
89
90
91
24
92
FOUR 17TH / 18TH CENTURY
BRASS DOMESTIC UTENSILS
ENGLISH
to include three basters and one
slice, each with a pierced handle
terminal and indistinct maker’s
marks (4)
47.2cm long (max)
￡80-120
93
TWO BRASS SKIMMERS
ENGLISH, C.1700
each cast as one, with pierced pans
and tapering handles, maker’s mark
of a cross and pellet to front of the
handle; together with a brass slice
by the same maker (3)
47cm long (max)
Literature
Illustrated in R. Butler, ‘A Study
Collection of Marked Domestic
Brass and Other Base Metalware,
c. 1600 - c. 1900’ (2001), p. 100,
no. 217 and pp. 98-101.
￡120-180
93A
TWO BRASS SKIMMERS
ENGLISH, C.1700, OR EARLIER
each cast as one, with pierced pans
and tapering handles, maker’s mark
of a cross and pellet to front of
handle, together with a brass slice
by the same maker (3)
58.5cm long (max)
Literature
Illustrated in R. Butler, ‘A Study
Collection of Marked Domestic
Brass and Other Base Metalware,
c. 1600 - c. 1900’ (2001), p. 98,
no. 209 and no. 211.
￡100-150
94
TWO BRASS SKIMMERS
ENGLISH, C.1700
each having a near-flat plan with six
concentric rings of holes, each
handle with punched maker’s mark
‘WD’ to front and with pierced
splayed end (2)
57.8cm long (max)
Literature
R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other
Base Metalware, c. 1600 - c. 1900’
(2001), p. 92, no.196 for skimmer
with circular maker’s mark.
￡100-150
95
FOUR 18TH CENTURY BRASS AND IRON
SKIMMERS
ENGLISH
one stamped ‘GB’ to the rear of the handle,
another ‘SH’ to pierced pan, another pan marked
‘SOLLOM & SONS... WOLVERHAMPTON’ and a
fourth cast ‘JOHN BRADLEY STOURBRIDGE’ to
rear of handle (4)
22.6cm diameter (max)
￡200-300
96
THREE GEORGE III BRASS LADLES
BY LATHAM (FL.1759-1783), WIGAN, C.1770
each stamped ‘LATHAM WIGAN’ to the handle (3)
43.6cm long (max)
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware, c. 1600 c. 1900’ (2001), p. 55,
nos. 120122.
￡100-150
97
FOUR 18TH CENTURY BRASS DOMESTIC
UTENSILS
ENGLISH
to include a baster, with Wigan-type dog nose
handle terminal, another baster and two slices,
each with a rounded pierced handle terminal,
indistinct maker’s marks (4)
48cm long (max)
￡80120
25
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98
TWO DOCUMENTED EARLY 18TH
CENTURY BRASS SKIMMERS
PROBABLY BY THE SAME MAKER,
ENGLISH, C.1710
each of heavy gauge, the near-flat pan with five
concentric rings of multiple holes, the handle
stamped multiple times near the suspension
hole with maker’s mark ‘DT’ (2)
62.2cm long (max)
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware, c. 1600 - c. 1900’ (2001), p. 29,
nos. 41 and 42.
￡70-100
99
A RARE NAMED AND DATED BRASS
SKIMMER
ENGLISH, DATED ‘1775’
with six concentric bands of piercing to the pan,
cast as one, the tapering handle inscribed to
the front ‘T. WEBB 1775’
20.1cm diameter
￡100-150
100
A DOCUMENTED 18TH CENTURY BRASS
BASTER
BY JOHN APPLEBEE II, C.1740
one piece casting, with a shallow bowl, the
gentle tapering handle with a rectangular pierced
suspension slot and pointed end struck with five
initials, maker's mark 'IA' to lower front handle
46.5cm long
Literature
Illustrated in R. Butler, 'A Study Collection of
Marked Domestic Brass and Other Base
Metalware,
c. 1600 - c. 1900' (2001), p. 47, no. 87 and
Journal of the 'Antique Metalware Society', vol.
26, 2021., Charles Applebee Revisited: ‘Evidence
for a Dynasty of London Braziers’ p.38, fig. 16.
￡100-150
101
A DOCUMENTED 17TH CENTURY BRASS
SKIMMER
ENGLISH
with six concentric rings of holes to near-flat pan,
stamped maker’s mark of ‘RB’ to front of handle,
with splayed and pierced suspension hole terminal
59cm long
Literature
Illustrated in R. Butler, ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware, c.1600-c.1900’ (2001), p. 73,
no.156 where the author notes a latten sealtop spoon of early 17th century date has been
recorded with the same maker’s mark.
￡100-150
102
A DOCUMENTED 18TH CENTURY BRASS
LADLE
ENGLISH
cast as one, with relatively shallow bowl, the
tapering handle with a rectangular pierced and
shaped terminal, maker’s mark of ‘WH’ to front
of handle
49.2cm long
Literature
Illustrated in R. Butler ‘A Study Collection of
Marked Domestic Brass and Other Base
Metalware, c. 1600 - c. 1900’ (2001), p. 92,
no. 198. The cast spoon between the maker’s
initials clearly implies this maker also cast
spoons.
￡60-80
103
PRESENTLY THE LARGEST RECORDED
BRASS SKIMMER
ENGLISH, C. 1700
cast as one, the near-flat pan with radiating
pierced holes, the handle with a punched
maker’s mark
23.4cm diameter
￡150-200
98
103
99
101
102
100
104
A DOCUMENTED AND LARGE CHARLES II BRONZE SKILLET
BY JOHN FATHERS I (C.1636-1688), MONTACUTE, SOMERSET, DATED
‘1677’
the bowl with slightly moulded rim, cast with ownership triad ‘W’ over ‘IM’,
opposed by the date ‘1677’, on three splayed ribbed legs, the ‘type 9’ handle
cast ‘JOHN FATHERS’, no founder’s mark
14.4cm high to rim, 22.6cm, 6.25 pint capacity
Provenance
Formerly in the John Fardon Collection.
Literature
Illustrated in R. Butler & C. Green, ‘English Bronze Cooking Vessels & Their
Founders 1350-1830’, p. 50, no.11.
￡400-600
105
A CHARLES II BRONZE SKILLET
BY JOHN FATHERS I (C.1636-1688), MONTACUTE, SOMERSET
the bowl with moulded rim, ‘three arc’ and stylised ‘B’ founder’s marks, on ‘D’-
shaped reeded legs, the ‘type 6’ handle without a brace cast ‘JOHN FATHERS’
12.7cm high to rim, 18cm diameter
Literature
See R. Butler & C. Green, ‘English Bronze Cooking Vessels & Their Founders
1350-1830’ p. 54 for a cauldron with similar marks and pp. 56-7 for John
Fathers skillet handle patterns. Only two other John Fathers I skillets cast with
the founder’s name and marks are recorded. One is in the Yorkshire Museum,
York, acc. no. YORYM:2006.1988.
￡400-600
106
A CHARLES II BRONZE SKILLET
BY THOMAS STURTON II (C.1629-1682), SOUTH PETHERTON,
SOMERSET, C.1670
loam cast, the bowl with slight rim, four-arc and stylised ‘T’ founder’s marks, on
short ribbed leg, the handle with a rare cast design of hearts and crosses, the
end with maker’s initials ‘T.S’
12.7cm high to rim, 20cm diameter
￡200-300
107
AN EARLY 17TH CENTURY BRONZE SKILLET
PROBABLY SOUTH EAST ENGLAND
the bowl with no rim and bold unrecorded ‘T’ founder’s mark (not Sturton),
the handle with an open brace and cast with two bands of triangles, on
tapering and splayed five-reeded legs
16cm high to rim, 19cm diameter
￡100-150
108
A CHARLES II BRONZE SKILLET
SOUTH EAST ENGLAND, WITH RARE OWNERS’ NAME & DATED ‘1677’
the plain bowl (no scratch marks) with moulded rim, on three ribbed legs with
wrythen collar, two with historic blacksmith repairs, the handle with open
brace and cast with the name and date ‘DAVID
CARRICK 1677’
16cm high to rim, 18.6cm diameter
Catalogue Note
Names on handles typically refer to founders, however, this name is
unrecorded as a maker and probably refers to the owner.
￡300-400
109
A DOCUMENTED CHARLES II BRONZE SKILLET
BY THOMAS STURTON II (C.16291682), SOUTH PETHERTON,
SOMERSET, C.1670
loam cast, the bowl with slight rim, four-arc and stylised ‘T’ founder’s marks, on
ribbed legs, the handle with Vbrace and cast ‘THOMAS STURTON’
15.2cm high to rim, 20.1cm diameter
Literature
Illustrated in R. Butler & C. Green, ‘English Bronze Cooking Vessels & Their
Founders 1350-1830’, p.109, no.103.
￡200-300
27
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110
AN EXCEPTIONAL RARE, DOCUMENTED AND LARGE MEDIEVAL
BRONZE CAULDRON
C.1300-1400
five gallon, having an almost spherical body, with pronounced casting
ridges and three wire mouldings (cords), curved handles, the legs with
pronounced central ribs
34.1cm high to rim, 30.5cm diameter
Catalogue Note
For a very similar, but much worn example, now in the Somerset
Museum, Taunton, see R. Butler & C. Green, ‘English Bronze Cooking
Vessels & Their Founders 1350-1830’ p. 171, no.184. There are clear
indications that this cauldron is an early example and not made using
typical production methods that prevailed in England during the 16th /
17th centuries. Namely, the surface shows no signs of a wiped finish,
(often found on later vessels) and instead has a uniform granular texture
and neatly executed wire mouldings. Furthermore, the presence of a
flashline indicates the cauldron was probably loam cast, a technique used
by late Medieval bell founders.
￡3,000-4,000
111
AN EXCEPTIONAL AND MASSIVE LEADED BRONZE CAULDRON
BY THOMAS STURTON I, SOUTH PETHERTON, SOMERSET,
(FL. 1630-1658),C.1630-40
with everted rim and angular lug handles, the body with a central cord,
on three ribbed feet each issuing ribs running up the side of the body,
with scratch marks and raised ownership initials ‘R B’
43.3cm high, 48.5cm wide, 39.3cm rim diameter
Catalogue Note
This is the largest of all Sturton cauldrons recorded. It is also the earliest
bearing scratch marks similar to those recorded on a skillet, dated 1630
(and again of vast proportions).
Literature
Illustrated in R. Butler & C. Green, ‘English Bronze Cooking Vessels & Their
Founders 1350-1830’, p. 101, no. 82. A smaller very comparable cauldron,
probably by Thomas Sturton but without scratch marks, dated ‘1640’, is in
the Burrell Collection, Glasgow acc. no. 5-6.164.
￡3,000-5,000
112
A RARE AND DOCUMENTED MEDIEVAL BRONZE CAULDRON
ATTRIBUTED TO THE WELSH BORDERS / SHROPSHIRE, 14TH /
15TH CENTURY
four gallon and two pint capacity, having an almost spherical body, with
pronounced casting ridges and two pairs of wire mouldings (cords), the
body passing upward into the everted rim with a gentle curve and the
curved handles are both distinctive medieval features, the legs with
pronounced central rib extending up the body
33.5cm high to rim, 30.1cm diameter, 32.7cm high, 29.8cm rim diameter
Literature
Illustrated in R. Butler & C. Green, ‘English Bronze Cooking Vessels &
Their Founders 1350-1830’ p. 134, no.136, where it was originally noted
as 17th century.
￡500-800
111
112
110
28
113
AN EARLY 16TH CENTURY BRONZE
CAULDRON
PROBABLY SOUTH EAST ENGLAND, C.1500
having an everted rim, the body with two neatly
drawn scratch marks, a saltire cross and ‘N’-shape,
with triangular lug handles and wrought iron swing
handle, on three stout short legs with pronounced
central rib
25cm high, 28.6cm diameter
Literature
See R. Butler & C. Green, ‘English Bronze Cooking
Vessels & Their Founders 13501830’ p. 142, nos.
145-7 for three vessels with a similar saltire cross
foundry mark.
￡300-500
114
A SMALL 17TH CENTURY BRONZE
CAULDRON
NORTH WEST EUROPE
having an everted rim, aligned with horizontal
angular lug handles, on full (unworn) triangularsection legs with rear relief rib and pointed feet,
a pronounced and coarse sprue to underside and
several chaplets randomly spaced and
disproportionally large
11.9cm high, 13cm wide
￡200-300
115
A DOCUMENTED BRONZE CAULDRON
BY THE FATHERS FOUNDRY, MONTACUTE,
SOMERSET, C.1670-80
with everted rim and small triangular lug handles,
the body with a three-arc and stylised ‘IF’ founder’s
marks, on three short ribbed feet
17.3cm high, 20.5cm diameter
Literature
Illustrated in R. Butler & C. Green, ‘English Bronze
Cooking Vessels & Their Founders 13501830’
p.55, no. 19.
￡500-800
116
A LARGE 17TH CENTURY PART SKILLET
POSSIBLY THE FATHERS FOUNDRY, SOMERSET
lacking handle, the bowl with three-arc and indistinct founder’s mark, on three
short ribbed legs, with a later wrought iron swing handle
15cm to rim, 23.7cm diameter
Literature
The three-arc mark is similar to the Fathers foundry mark, however, the second
mark is less relatable and appears similar to a marked skillet by Richard Poope,
Kent. See R. Butler & C. Green, ‘English Bronze Cooking Vessels & Their
Founders 13501830’, p. 85, no. 67.
￡100-150
117
A GROUP OF 17TH / 18TH CENTURY WROUGHT IRON POT-HANGERS
ENGLISH
each with ratchet height adjustment, one with crude decoration, together with
two iron adjustable pot-handles of similar date (7)
￡80-120
29
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118
121 part
119
TWO 17TH CENTURY BRONZE MORTARS
MAKER MARKED, ENGLISH, C.1650-75
one with a mid-band, the other ribbed, mark of Charles Applebee to underside (2)
9.2cm high, 11.9cm diameter (max)
Literature
Illustrated and discussed in Antique Metalware Society, Vol. 26, 2021, p.38, fig.15 (outer
left and right) and M. Finlay, ‘English Decorated Bronze Mortars’, p. 161, no.323 (right)
￡200-300
120
A 17TH CENTURY BRONZE MORTAR
MAKER MARKED, ENGLISH, C.1650-90
unidentified stamped ‘WG’ to the base, along with a single
engraved ownership initial, the plain body engraved with the
owner’s name, possibly the second owner, ‘John Gibb’ beneath a
tulip spray
11.3cm high, 16.5cm diameter
￡100-150
121
A COLLECTION OF SIXTEEN
17TH AND 18TH CENTURY PESTLES
bronze and brass, in varying turned forms,
with fillets and knops (16)
23cm long (max)
￡80-120
118
A FASCINATING BRONZE MORTAR / DRY MEASURE
C.1600 OR POSSIBLY EARLIER
of quart capacity, having a plain tapering straight-sided drum,
moulded rim and splayed foot rim, the rare twin-handle formed from
two stylistic bearded dragons, each of slightly different design
16.8cm high, 12.9cm diameter
Catalogue Note
Extensive research has presented a significant challenge regarding
regional provenance, with no conclusive conclusion. At first glance
the design hints at Chinese, but this has been dismissed by a former
consultation with the Victoria & Albert Metalware Department.
European manufacture is a possibility. Dragon handles are found on a
Henry VII gallon measure, dated 1497, in the Winchester Museum
Collection. Further comparisons can be made with single-handled
mortars by Endorfer I & II of Innsbruck, Austria, dated 1538/39 (see
Der M?rser). Together with a Swiss example, by Friedrich Von Salis,
dated 1580. Scandinavia has also been suggested, along with Dutch
East Indies (Indonesia) but no comparable features cited.
￡1,000-1,500
125
30
126
122
TWO 17TH CENTURY BRONZE MORTARS
MAKER MARKED. ENGLISH, C.1650-75
each of ribbed form, with engraved internal measuring rings, (200, 300 &
400ml), mark of Charles Applebee to underside (2)
10.6cm high, 12.8cm diameter (max)
Literature
Illustrated and discussed in Antique Metalware Society, Vol. 26, 2021, p.38,
fig.17 (centre and centre right) and M. Finlay, ‘English Decorated Bronze
Mortars’, p. 161, no.323 (left).
￡200-300
123
TWO 17TH CENTURY BRONZE MORTARS
MAKER MARKED, ENGLISH, C.1650-75
each with a mid-band and stamped with the maker’s mark of Charles Applebee
to base, the larger with ‘CA’ beneath a fleur-de-lys, the other ‘CA’ beneath a
crown (2)
11cm high, 13.8cm diameter (max)
Literature
Illustrated and discussed in Antique Metalware Society, Vol. 26, 2021, p.38,
fig.18 (left) and fig.19 (right), the largest recorded mortar by Applebee.
￡200-300
124
A 17TH CENTURY HEAVY BRONZE PESTLE
MAKER MARKED
with near-centre knop and linear bands, stamped founder’s mark ‘L’
25.2cm long
￡80-100
125
TWO 17TH CENTURY BRONZE MORTARS
MAKER MARKED, ENGLISH, C.1650-75
each with a plain drum and internal measuring lines, mark of Charles Applebee
stamped to underside (2)
10.5cm high, 12.1cm diameter (max)
Literature
Illustrated and discussed in Antique Metalware Society, Vol. 26, 2021, p.38,
fig.15 (centre left and right).
￡200-300
126
A GEORGE III BRASS RUFFLING-IRON
C.1770
with rear hinged door rotating on a single hinge and enclosing a cast-iron slug,
the swan-neck handle leather bound
6.7cm high, 7.5cm long
Literature
Illustrated in R. Gentle & E. Feild, ‘Domestic Metalwork, 1640-1820’, p. 419,
no. 4.
￡80-120
124
127
A CHARLES II BRONZE MINIATURE
CAULDRON NUTRACKER
C.1680
the cauldron of typical bag-form with three
splayed feet, with a threaded screw (replaced)
and heart-pierced thumbpiece
2.9cm high
￡200-300
128
A BRASS SCREW-ACTION NUTCRACKER
IN CHARLES II MANNER, ENGLISH, C.1910
having a shaped and geometric pierced
thumbpiece, a large open nut aperture with
integral disc-centred base
9.5cm high (max)
Catalogue Note
See Bonhams, London, 15th March 2007, lot 208,
for a comparable example named and dated
‘1676’.
￡40-60
129
A RARE EARLY 18TH CENTURY BRASS
SCREW-ACTION NUTCRACKER
C.1700-30
having a twin-lobed thumbpiece centred with a
pierced heart, the circular nut aperture with a seal
matrix of initials ‘E R’
6cm high (max)
￡300-500
130
A GEORGE II BRASS NUTCRACKER
DATED ‘1737’
lever-action, the balustroid stems with dished
bulbous ends each with a small hook terminal, the
internal grooved nut aperture engraved to the
front with the initials “EB’ and to the sides the
date ‘17’ ‘37’
10.5cm long
￡300-500
131
A RARE CHARLES II BRASS PASTRY JIGGER
DATED ‘167?’
having an addorsed baluster stem, one end with
crimped jigger, other end now vacant, initialled
‘RB’ and ‘IB’, and scratch dated
14.8cm long
Literature
Illustrated in M. Finlay ‘Pastry Jiggers and Pastry
Prints”, p.17, no. 51.
￡150-200
130
31
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128
129
127
131
132 133
134 135
32
137
132
AN EARLY 19TH CENTURY REDDISH BRASS
CANDLESTICK
BY CAMGOHOBE, POSSIBLY EASTERN
EUROPEAN OR RUSSIAN
the urn-shaped socket with an integral sconce, above a
discoid knop and cylindrical stem, on a column base and
square foot, the foot rim stamped ‘T’ Φ ‘N’ above
‘CAMGOHOBE’
22.3cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked
Domestic Brass and Other Base Metalware c.1600-
c.1900’, p. 22, no. 32.
￡80-100
133
A PAIR OF 19TH CENTURY WHITE METAL
CANDLESTICKS
MAKER MARKED, POSSIBLY FüRTH, GERMANY
each with a flared octagonal socket, discoid knop and
faceted inverted baluster stem, on a matching circular
spreading foot, punched maker’s mark ‘PR’ to the foot
rim (2)
17.2cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked
Domestic Brass and Other Base Metalware, c.1600
c.1900’ (2001),
p. 71, no. 151. The author notes that the crescents
flanking the maker’s initials may indicate the
candlesticks were made in Fürth, near Nuremberg,
where a cuspate crescent was the assay mark used for
silver during the 19th century.
￡100-150
134
A BRASS CANDLESTICK
PROBABLY SOUTH GERMAN, EARLY 19TH
CENTURY
the campana socket with integral cusp-edged sconce,
on a bold baluster stem, circular foot and flat square
base, a punched maker’s mark to foot rim
27cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked
Domestic Brass and Other Base Metalware c.1600
c.1900’, p.106, no. 230 See V. Baur, ‘Metal
Candlesticks, History, Styles and Techniques’, p. 324 for
a comparable example.
￡60-80
135
A LOUIS XV BRASS CANDLESTICK
FRENCH, C.1745-49
part seamed, two-part construction screwed together,
the octagonal socket on a tapering octagonal stem
between two knops, on a domed and stepped
octagonal base, with remains of silvering, punched duty
mark of a letter crowned ‘C’ to the foot rim and socket
22.5cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked
Domestic Brass and Other Base Metalware c.1600-
c.1900’, p. 20, no. 28. The duty mark ‘C’, couronné
poin?on, was used in France between 5th March 1745
and 4th February 1749 on new and second-hand
copper-alloy wares.
￡100-150
136
A PAIR OF WHITE METAL CANDLESTICKS
BY BERNDORF, AUSTRIA, C.1850
each with tulip-shaped socket, removeable stepped
sconce, baluster stem and circular spreading foot,
punched ‘BERNDORF ALPACCA’ to the foot rim (2)
22.3cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked
Domestic Brass and Other Base Metalware, c.1600-
c.1900’ (2001), p. 13, no. 17. Alpacca appears to be the
trade name for items produced using nickel by Berndorf in
the mid-19th century.
￡100-150
137
A BRASS CANDLESTICK
PROBABLY GERMAN, C.1680-1700
the tall cylindrical socket above an inverted acorn knop
stem, on a circular flat ‘tray’ base with shallow flared rim
11.2 cm high
￡80-120
138
A 19TH CENTURY ELECTROTYPE BRONZE
COPPER-ALLOY CANDLESTICK
BY ELKINGTON & CO, IN THE ROCOCO-REVIVAL
MANNER, AFTER JUSTE-AURELE MEISSONNIER
(FRENCH, TURIN 1695-1750 PARIS), LATE 19TH
CENTURY
designed with asymmetrical leafy scrolls, cartouche and
scallop shells wrapping the ball socket, scrolling drip-pan,
baluster stem and raised shaped circular foot, an applied
embossed brass plaque inscribed ‘ART GOLD BRONZE /
REGISTERED / ELKINGTONS’ to the underside
31.1cm high
￡50-80
139
A PAIR OF MID-19TH CENTURY HIGH COPPER
CONTENT BRASS CANDLESTICKS
BY SKULTUNA, SWEDISH
each with a detachable sconce and cylindrical socket, a
discoid knop atop a tapering stem and banded circular
spreading foot, the underside stamped ‘SB’ along with a
crown, a reversed ‘N’ and ‘59’ (2)
21.3cm high
Literature
Illustrated in R. Butler, ‘A Study Collection of Marked
Domestic Brass and Other Base Metalware c.1600-
c.1900’, p.79, no. 166.
￡100150
140
A 19TH CENTURY GILT-BRONZE CANDLESTICK
FRENCH, IN THE ROCOCO-REVIVAL MANNER,
AFTER JUSTE-AURELE MEISSONNIER (FRENCH,
TURIN 1695-1750 PARIS)
designed with asymmetrical bold leafy-scrolls wrapping
the socket, baluster-shaped stem and raised circular
base, no less than 19 foundry patches have been
counted on this finely cast candlestick
23.9cm high
Catalogue Note
For a comparable candlestick by Meissonnier, see the
Metropolitan Museum Collection, New York, dated
1735-50, acc. no. 1999.370.1a, b, .2a, b
￡150-200
139 140
138
136
